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Ultimate Movie Album

Ultimate Movie Album
MSRP: $23.99
Your Price: $23.99
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Manufacturer: Polygram Int'l
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Additional Ultimate Movie Album Information

UK compilation featuring a combination of hit songs & theme music from some great soundtracks. Tracks include, Gabrielle 'Out Of Reach' (Bridget Jones Diary), 'Now We Are Free' (Gladiator), 'Dead Already' (American Beauty), Alison Kraus 'Down To The River To Pray' (O Brother Where Art Thou), Ronan Keating 'When You Say Nothing At All' (Notting Hill) & many more. 35 tracks on 2 CDs. 2001.

 

What Customers Say About Ultimate Movie Album:

Listening to these short pieces is like listening to movie trailers. The album production is flawless; however, I believe it's scope should have been reduced in favor of presenting longer excerpts of the sound tracks.

My only complaint would have to be the order of the songs. While I enjoy a lot of soundtrack music, there aren't so many complete soundtracks that I would care to own, some examples of exceptions being Ennio Morricone scores and the About a Boy Soundtrack. This collection seems to focus on the subtle and quirky, yet melodic music of indie films, with less emphasis on the loud sweeping orchestral scores of major Hollywood hits, but of course there are a few like Gladiator and Braveheart, which are welcome here because like I've said, I probably wouldn't listen to the whole score. There might be other cases like this, I'm not sure.

This pricey UK import CD filled a lot of gaps in my music collection and is an excellent overview of notable music of (mostly) recent films. You would think they would avoid jumping back and forth between pop songs, orchestral scores, and quiet music, but it just seems thrown together by random. I love the two Thomas Newman compositions from American Beauty, and it's good to have some music from films by the Cohen Brothers here. It's difficult to find consistently listenable soundtrack collections like this, by that I mean free from the obligitory Whitney Houston or Celine Dion embarrassments.

And "Unchained Melody" from Ghost is an orchestral version, not the pop song (but I consider this a plus). I would compare this collection to the excellent "Miramax Films Greatest Hits" but the makers of that album knew to group the two pop/rock songs at the end. Usually rights issues prevent comprehensive compilations like this in the US, too. While certainly most of these tracks are the actual recordings used in their respective films, I noticed that "La mamma morte" from Philadelphia is not the Maria Callas version.

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